Spend some time with TED.

03.24.11

Spending too much time on YouTube? Check out the TED channel. Instead of feeling guilty about wasting time watching the latest Miley Cyrus tribute video, you could be watching a series of talks by “big thinkers” discussing “big ideas.”

TED is a nonprofit devoted to Ideas Worth Spreading. It started in 1984 as a conference bringing together people from three worlds: Technology, Entertainment and Design. Since then it’s scope has become even broader.

The annual TED conferences in Long Beach/Palm Springs and Edinburgh bring together the world’s most fascinating thinkers and doers, who are challenged to give the best talk of their lives in 18 minutes or less. The most recent TED conference was held last month.

Using Images to change the world.

JR, a French street artist, uses his camera to show the world its true face. He makes his audacious TED Prize wish: to use art to turn the world inside out. A funny, moving talk about art and who we are

Social Media and the end of gender.

Media and advertising companies still use the same old demographics to understand audiences, but they’re becoming increasingly harder to track online, says media researcher Johanna Blakley. As social media outgrows traditional media, and women users outnumber men, Blakely explains what changes are in store for the future of media.

How great design makes ideas new.

From the TED archives: The legendary graphic designer Milton Glaser dives deep into a new painting inspired by Piero della Francesca. From here, he muses on what makes a convincing poster, by breaking down an idea and making it new.


Scan me with your new smart phone

03.23.11

Is the mobile barcode scan just another flash-in-the-pan…or is it the next Twitter? According to Wikipedia, the mobile barcode or QR code is a specific matrix barcode that is made up of black modules arranged in a square pattern on a white background. The information encoded can be text, URL or other data. “QR” stands for quick response.

To read a QR code you need to download an app on your smart phone. (Newer phones have QR Code scanners built-in so you don’t need an app.) The phone scans the matrix barcode and directs you to a website, display text or email/texting message. It seems to have a lot of potential and it’s quite popular in Japan, but hasn’t really caught on in the US.

And yet, we see more and more of these funny matrix boxes in magazine ads and on websites. Lena West, social media strategist and CEO of Influence Expansion says there are many ways for service businesses to take advantage of the QR codes. She offers these suggestions:
“1. To provide a direct link to a lead generation tool like a white paper or a free report.
2. To provide a direct link to a brochure (PDF) — and avoid printing costs.
3. To help a video “go viral”
4. Add a “contact” QR code to the back of your business card to automatically have someone add you to their cell phone contact list.

Retailers can use QR codes to expand on advertising — you only have so much space on a page/billboard and to give special offers for people smart enough to use those codes — discounts for insiders, invites to in-store events, etc.

Anyone can use a QR code to track a specific marketing/advertising effort.”

To read more about Using QR Codes, 5 essentials for making your site mobile-friendly click here.


Typographic poetry in motion

03.17.11

Maybe you’ve seen this? It’s a wonderful celebration of type-in-motion from Ronnie Bruce based on a poem by New York performance poet Taylor Mali, who measures his life in a variety of ways: He has 11 years of experience as a professional spoken word artist; he has one book, one DVD, and four cds; for 10 months, he was the official voice of Burger King; he was a national poetry slam champion four times; three times he appeared on the HBO original series “Russell Simmons Presents Def Poetry”; for nine years he taught college, high school, and middle school; and once, in a single SCRABBLE game, he earned a score of 581; but MOST IMPORTANTLY OF ALL, after hearing his work, 650 people have told him they will now become teachers.

Typography from Ronnie Bruce on Vimeo.


The most important page in your Corporate Identity Manual

02.10.11

A corporate identity manual defines how your company’s brand, image and messaging is delivered to the public and particularly to your key audiences. But before we answer that burning question, let’s dig a little deeper.

Defining our terms
In their book, Brand Identity Essentials, authors Budelman, Kim and Wozniak define a Logo as, “a picture that represents the collection of experiences that form a perception in the mind of those who encounter an organization.” They describe an Identity as the logo plus the name, color, and music, as well as the applications where the logo appears.

Clive Chajet writing in Corporate Image makes these distinctions about Corporate Image and Corporate Identity. Corporate Image is what is perceived by its various audiences—how it appears to outsiders such as the financial community or potential consumers. Whereas, Corporate Identity is what the corporation chooses to use to shape those perceptions.

According to designer Wally Olins, author of Corporate Identity: Making Business Strategy Visible Through Design, your identity must be visible, tangible and all-embracing. Olins says you affirm the identity through: Products, Services, People, Buildings and Communications materials.

Identity=Brand
Laurence Ackerman, a former partner at the legendary design firm, Anspach Grossman Portugal, says that besides comprehensive design standards, companies manage their identity through:
1. Language (specific words and phrases for services)
2. Distinctive themes and messages (“taglines”)
3. Actions and policies (CSR: Corporate Social Responsibility)

As a company grows and more people are involved, the very essence of the brand is being expressed by multiple managers and communicators. How do we reign in all of this and maintain standards, as well as build upon a brand as the company and its story evolves and grows?

The Corporate Identity manual is the critical tool in positioning a company, no matter how big or small. The importance of consistent typography, color use, logo placement and such cannot be taken for granted. Good identity manuals help designers and communication managers establish a visual voice for the company that may include photography libraries and image standards as well as professional publication templates. These guidelines build a more powerful corporate identity that in turn influences the public and ultimately the company’s corporate image.

The real power of your ID Manual
When I was the manager of corporate communications at an insurance company, I inherited a new logo and an unyielding binder full of identity standards and recommendations. (This was back in the days when you had to print everything and a PDF was not possible.) The “work in progress” standards were too cumbersome and the page length made it prohibitive to print. So I sat down and sifted through the content and prioritized everything to see how I could get the final manual down to 16 pages.

Once the Corporate Identity manual was published, life as the internal “logo cop” and defender-of-the-brand became easier…but not in the way that I had expected. I thought everyone would now follow the carefully worded rules and exacting details that we had labored over in writing and designing the manual. What I found was that most people didn’t actually read the document, they just called me with their questions and asked me what the rules were. So the manual became my reference guide, it kept me on track, consistent and—more importantly—it became the law of the land within the company. Once I had the manual in place I could call the Vice President of Pensions and say with confidence that the logo could not be published with that drop shadow against a dark colored background because it says so on page 4. And why would he listen to me? Because, on the first page of the Corporate Identity manual, there was a signed letter from the President introducing and endorsing the branding standards. That was the most important page in the book.


Revisiting the Best of the Best, Digitally Speaking

02.07.11

The One Club, an advertising association that recognizes and promotes excellence in advertising, has brought together the top 10 digital campaigns of the past decade. This is the first time the One Club is honoring a decade’s worth of digital ads, because there was not a full decade’s worth of online and interactive ads in the 90s. (The first year the One Club honored digital ads was 1996.) This is a great opportunity to see some past campaigns and learn about the marketing ideas behind them, including Burger King’s Subservient Chicken, Uniqlock by Uniqlo and Dream Kitchens by IKEA. Visit the One Club’s site to see the top 10 and all 75 of the semi-finalists.


Designing it right in 2011

01.05.11


John Irving’s quote inspired our theme for 2011. As a celebrated prolific novelist, he has certainly embraced the idea that books are not written, but rather re-written. We know that good designs are truly re-designed, and re-designed again and again.

In Peter Shaffer’s Amadeus, Mozart is told that his composition is beautiful but he needs to remove a few notes. “Too many notes!” says his patron. Mozart, unlike the rest of us, could produce a finished product right out of his head. To remove one note or change the space between the notes would destroy the perfect balance of the final musical composition. Most of us are not geniuses like Mozart. We have to refine, revise and do it over until it the design is just right.

We are more like Dickens. Have you ever seen a draft of the manuscript for A Christmas Carol? With its many scratched out sentences and re-worked language you can see how the master of Scrooge wrote and rewrote the story.

As we plan ahead for 2011 we envision a revision in how we see things. We look for ways to see a different light, perhaps leading to a better way or a way we’ve never seen before. Visual communication is a collaborative practice. And as they say, practice makes perfect. It is the combination of our clients’ knowledge with the expertise of the designers that creates the most successful communications projects. The clients know their markets, services and products. The designers excel in visual language, imagery, patterns, typography and the best techniques of online, in print and on site promotion. The back and forth revisions between clients and designers is a healthy way to develop the next great communications project. It is the combination of intelligence and inspiration that we seek for 2011. By doing it over and over, listening to each other and adjusting, adapting and refining the design and the content until it’s just right.

As Oprah Winfrey has said in approaching the last year of her talk show, “Cheers to a New Year and another chance for us to get it right.”


Hard-to-read fonts are easier to understand!

01.03.11


Is this a sight for sore eyes? As reported in a recent New York Times column by David Brooks:
“People remember information that is hard to master. In a study for Cognition, Connor Diemand-Yauman, Daniel Oppenheimer and Erikka Vaughan found that information in hard-to-read fonts was better remembered than information transmitted in easier fonts.”
So let’s read the fine print. The study from Princeton University says, “information in hard-to-read fonts was better remembered than easier to read information in a controlled laboratory setting.” And furthermore, “in some cases making material harder to learn can improve long-term learning and retention (Bjork, 1994). More cognitive engagement leads to deeper processing, which facilitates encoding and subsequently better retrieval.”

Now they warn you that if you can’t read it, or it’s really too hard-to-read, then most people will not read it at all. But apparently, learning is taking place in the struggle. Essentially the use of hard-to-read fonts slows down readers, forcing them to spend more time deciphering the content — and that leads to better retention and comprehension.

My daughter, Rachael, was doing improv acting at our local Barnes & Noble where they were soliciting input from the audience. She was handed a message written in crayon that she found impossible to read. She spent more time and effort trying to determine what it said but eventually she gave up and just improvised a response and continued the performance. Later that evening when she was telling me about the performance it was the hard-to-read message that dominated her recollection of the evening.


Social Media University, Global, Wants You!

12.06.10

Social Media University, Global (SMUG) is a post-secondary educational institution dedicated to providing practical, hands-on training in social media to lifelong learners.

SMUG is founded by Lee Aase, from Austin, Minnesota. (Austin is also the home town of Hormel–the makers of Spam. Go Figure!) By day Lee is the director of the Mayo Clinic’s Center for Social Media. The fancy Latin motto is Suus non ut Difficile which translated means, “It’s not that hard.”

Students are called “SMUGgles” with a nod to Harry Potter. It is a label that reinforces one of the founding principles of the institution: You don’t have to be a wizard to get magical results with social media.

Lee believes that Social Media is here to stay. He has collected lots of examples of free or ridiculously inexpensive services like YouTube, Facebook, Flickr and WordPress.com, and shows how effectively these powerful tools may be with limited professional IT support. It’s a great resource. With SMUG you can work through the learning process step by step, until you feel confident using these tools in your organization….Or call, email or friend us and we’ll set it up for you.


We’re Number 4!

12.03.10

BrandmakerNews Reports on 10 Top Tips For Entrepreneurs
BrandMakerNews recently asked business owners, including David Langton, to share critical tips that every entrepreneur should know.

Here’s David’s tip:
Tip #4: Choose your projects wisely. “As a small business you will be constantly defining yourself by the work you do…and by the work you decline to accept. You can’t do everything so you must develop a criteria for work: 1. Money-based; 2. Passion-based; 3. Leads to something bigger.” -David Langton, Langton Cherubino Group.
Click here to see the other 9 tips.


A designer’s guide to gifts of a certain type.

11.15.10

Pat, I would like to buy a vowel.


Ever wonder what type of gift to give to anyone who loves visual communication? We’ve sifted though the catalogues and websites and identified these type-inspired gifts that celebrate the alphabet in various typographic splendors.

More than “X” to mark the spot.
Why use plain typographically challenged page markers? Make a statement when you mark a page with these big and bright punctuation page markers. They are sticky too!

Comings and Goings
This welcome mat is an ambigram — a typographical design that may be read from two different viewpoints. Guests are greeted with a “Come in” message and the mat bids them farewell with a tongue-in-cheek “Go away” as they depart.


& so it goes…
This giant (33 inches tall) decorative piece of punctuation is “set” in Helvetica. It is made out of a uniquely grained wood and may stand on the floor or be wall-mounted. Other giant letterforms are available too!

Today’s Silver Plate Special
Dine in diner style with these colorful plates featuring Martin Yeeles’s photographs of neon road signs from diners across the states. Pass the ketchup and enjoy these quirky conversation starters. They’re sure to spice up any table!


Mega-Magazine Rack
Big M magazine holder instantly gives your living space a typographic aesthetic. The magazine holder is big enough for 10 magazines and comes in blue, green, black, or white and is made of Baltic birch. Especially good for displaying Mademoiselle, Modern Bride, More, Money or Mother Jones. Available in several colors!

I now pronounce you…
“Mr. & Mrs.” luggage tags are the perfect gift for a couple about to embark on their honeymoon. An exclusive and inclusive gift that is also available in “Mr. & Mr.” and “Mrs. & Mrs.” sets. And, as an FYI, Three Tarts, the store that carries these luggage tags has a range of gifts and sweets worth checking out. Especially their gourmet marshmallows!

Something old as something new.
These alphabet lamps were neon signs in a previous life. After being rescued and refitted with LED lights they will add a typographic flair to your room.

Butter up your ABCs
Who wouldn’t want to wake up to pancakes with butter patties spelling out your name? This alphabet letter ice cube tray set contains the full alphabet. The silicone trays can be used hot or cold so you can make letters in everything from ice to Jell-O to brownies.

Not your father’s ABC blocks
These black and white wooden spelling blocks offer a modern twist on an old classic. The 36 piece block set comes with triple vowels, so you can actually spell some words.

Sit on it Fonzie.
Pull up a letter and have a seat. ABChairs is a series of 26 typographic chairs from furniture designer Roeland Otten that you may sit on…or arrange a “word” around a table. The chairs are being produced one-off as limited editions, but he hopes he’ll find a manufacturer soon to make plastic versions.

Have bag will travel.
This bag is called a musette, which is a small lightweight cotton shoulder bag, used for containing food and drink given to riders in a feed zone during a cycle race. Or you could call it a messenger bag covered all-over with a typographic pattern of ampersands.

Uppercase table is top drawer.
These metal side tables designed by Andrew Martin are each created in the shape of a letter. The full range of letters is available so you could spell out names or messages with them, or just get two as nightstands.

Sing the alphabet song while your wash your hands.
A hit with all letter-lovers, this extremely unique soap is a handwringer. Each handmade bar is 4 ounces of all natural glycerin soap scented with Peppermint oil.

A is for “Animal”.
We know that elephants can remember…and now kids can remember letters with Alphabesties flash cards. Each card features an animal ingeniously built from the first letter of its name. Each animal uses a different typeface so you may experience a typographic treat as you learn your ABCs.