Did your website go on vacation before you did?

06.28.11


Is your website working for you or is it already in vacation mode? Review this simple checklist to see if your website is earning its keep.
1. How much money are you losing because your website doesn’t capture leads?
o I have an email sign-up system in place
o I can track who visits my website and I can see where they land and how long they stay
o I have blog with a comments function that encourages conversations
o I have a Facebook Pages link and a Facebook LIKE button

2. How up-to-date is your website?
o I add new content more than once a month
o I have an easy-to-use Content Management System (CMS) that allows me to update my own content
o My online events calendar is up-to-date

3. Is it easy to find you on the Web?
o If you Google my company it comes up on the first page.
o I have a Facebook link and a Facebook page for my company
o I use the “Like” feature on my website
o I have a LinkedIn profile for my company
o I have a YouTube Channel with videos about my company
o I have a Twitter handle

4. Can mobile smart phone users see your website?
o My website has a mobile view that’s legible
o I avoid a lot of video and flash on my home page
o My website is easy to navigate with your finger on a touch-screen

5. Does your website reflect the real youand tell users who you are?
o I have my contact info on the footer in an easy-to-find place
o I have a brief description of my company and what it offers on the Home Page
o I use large images and distinctive graphics to highlight the services and offerings of my company

Make sure your website is working for you, so you may go on a worry-free vacation. Contact us for a free assessment.


Jim Hohl is in the house!

06.24.11

We are pleased to announce that Jim Hohl, president of CPS Creative and an expert in Website & Technology services, has joined us at the Langton Cherubino Group offices.

Jim has managed and developed websites and web applications since 1995, when he began his career by personally designing and developing the United Nations’ online education website, the CyberSchoolBus. While CTO of National Media Technologies, Jim managed the team that developed Cushman & Wakefield’s Investment Services Group online offering management system. Jim is the vice president of education for Pride Toastmasters and also studies improv. Jim has been working with Langton Cherubino Group for the past 3 years and handled the website deployment for many projects including www.IPRO.org. We are thrilled to have the opportunities to expand our work with Jim and are proud to add another Jim (Along with Jim Keller our Design Director) to the team.


Making it Right As Rain: Part 3

05.26.11

For the nonprofit, Right as Rain, Langton Cherubino Group’s logo development was improved by Sarah Dale’s insights. Listening to the client’s responses is critical to getting the logo just right. After an initial presentation where we presented a wide range of logo possibilities, Sarah and her husband Gavino narrowed the choices down to three key directions. They provided feedback that inspired and informed the design process. The final logo by Jim Keller featured his watercolor interpretation that captured the spirit of the organization in an ode to Singin’ in The Rain. Click to visit the Right As Rain web site. You may also check out our previous installment of the Right as Rain logo development.  View Part One and Part Two.


Seeing is Believing

05.24.11

The cover for the new book is ready. Visual Marketing, 99 Ways for Small Businesses to Market with Images and Design by David Langton and Anita Campbell is coming from Wiley Publishers in September. Wiley’s inhouse designer C. Wallace used a cover image by Penfold/iStockphoto to create the cover which is based on an abstract “eye.”

The inside pages, designed by David Langton, will feature a large image from each case study and smaller secondary images. Co-author Anita Campbell has been analyzing each case study to come up with just the right “take-away” tip that encapsulates the main marketing angle for each project.

Visual marketing is coming in the fall of 2011. You can pre-order the book online at Amazon or Barnes & Noble or Borders.


Spend some time with TED.

03.24.11

Spending too much time on YouTube? Check out the TED channel. Instead of feeling guilty about wasting time watching the latest Miley Cyrus tribute video, you could be watching a series of talks by “big thinkers” discussing “big ideas.”

TED is a nonprofit devoted to Ideas Worth Spreading. It started in 1984 as a conference bringing together people from three worlds: Technology, Entertainment and Design. Since then it’s scope has become even broader.

The annual TED conferences in Long Beach/Palm Springs and Edinburgh bring together the world’s most fascinating thinkers and doers, who are challenged to give the best talk of their lives in 18 minutes or less. The most recent TED conference was held last month.

Using Images to change the world.

JR, a French street artist, uses his camera to show the world its true face. He makes his audacious TED Prize wish: to use art to turn the world inside out. A funny, moving talk about art and who we are

Social Media and the end of gender.

Media and advertising companies still use the same old demographics to understand audiences, but they’re becoming increasingly harder to track online, says media researcher Johanna Blakley. As social media outgrows traditional media, and women users outnumber men, Blakely explains what changes are in store for the future of media.

How great design makes ideas new.

From the TED archives: The legendary graphic designer Milton Glaser dives deep into a new painting inspired by Piero della Francesca. From here, he muses on what makes a convincing poster, by breaking down an idea and making it new.


Scan me with your new smart phone

03.23.11

Is the mobile barcode scan just another flash-in-the-panor is it the next Twitter? According to Wikipedia, the mobile barcode or QR code is a specific matrix barcode that is made up of black modules arranged in a square pattern on a white background. The information encoded can be text, URL or other data. “QR” stands for quick response.

To read a QR code you need to download an app on your smart phone. (Newer phones have QR Code scanners built-in so you don’t need an app.) The phone scans the matrix barcode and directs you to a website, display text or email/texting message. It seems to have a lot of potential and it’s quite popular in Japan, but hasn’t really caught on in the US.

And yet, we see more and more of these funny matrix boxes in magazine ads and on websites. Lena West, social media strategist and CEO of Influence Expansion says there are many ways for service businesses to take advantage of the QR codes. She offers these suggestions:
“1. To provide a direct link to a lead generation tool like a white paper or a free report.
2. To provide a direct link to a brochure (PDF) — and avoid printing costs.
3. To help a video “go viral”
4. Add a “contact” QR code to the back of your business card to automatically have someone add you to their cell phone contact list.

Retailers can use QR codes to expand on advertising — you only have so much space on a page/billboard and to give special offers for people smart enough to use those codes — discounts for insiders, invites to in-store events, etc.

Anyone can use a QR code to track a specific marketing/advertising effort.”

To read more about Using QR Codes, 5 essentials for making your site mobile-friendly click here.


Typographic poetry in motion

03.17.11

Maybe you’ve seen this? It’s a wonderful celebration of type-in-motion from Ronnie Bruce based on a poem by New York performance poet Taylor Mali, who measures his life in a variety of ways: He has 11 years of experience as a professional spoken word artist; he has one book, one DVD, and four cds; for 10 months, he was the official voice of Burger King; he was a national poetry slam champion four times; three times he appeared on the HBO original series “Russell Simmons Presents Def Poetry”; for nine years he taught college, high school, and middle school; and once, in a single SCRABBLE game, he earned a score of 581; but MOST IMPORTANTLY OF ALL, after hearing his work, 650 people have told him they will now become teachers.

Typography from Ronnie Bruce on Vimeo.


The most important page in your Corporate Identity Manual

02.10.11

A corporate identity manual defines how your company’s brand, image and messaging is delivered to the public and particularly to your key audiences. But before we answer that burning question, let’s dig a little deeper.

Defining our terms
In their book, Brand Identity Essentials, authors Budelman, Kim and Wozniak define a Logo as, “a picture that represents the collection of experiences that form a perception in the mind of those who encounter an organization.” They describe an Identity as the logo plus the name, color, and music, as well as the applications where the logo appears.

Clive Chajet writing in Corporate Image makes these distinctions about Corporate Image and Corporate Identity. Corporate Image is what is perceived by its various audiences how it appears to outsiders such as the financial community or potential consumers. Whereas, Corporate Identity is what the corporation chooses to use to shape those perceptions.

According to designer Wally Olins, author of Corporate Identity: Making Business Strategy Visible Through Design, your identity must be visible, tangible and all-embracing. Olins says you affirm the identity through: Products, Services, People, Buildings and Communications materials.

Identity=Brand
Laurence Ackerman, a former partner at the legendary design firm, Anspach Grossman Portugal, says that besides comprehensive design standards, companies manage their identity through:
1. Language (specific words and phrases for services)
2. Distinctive themes and messages (“taglines”)
3. Actions and policies (CSR: Corporate Social Responsibility)

As a company grows and more people are involved, the very essence of the brand is being expressed by multiple managers and communicators. How do we reign in all of this and maintain standards, as well as build upon a brand as the company and its story evolves and grows?

The Corporate Identity manual is the critical tool in positioning a company, no matter how big or small. The importance of consistent typography, color use, logo placement and such cannot be taken for granted. Good identity manuals help designers and communication managers establish a visual voice for the company that may include photography libraries and image standards as well as professional publication templates. These guidelines build a more powerful corporate identity that in turn influences the public and ultimately the company’s corporate image.

The real power of your ID Manual
When I was the manager of corporate communications at an insurance company, I inherited a new logo and an unyielding binder full of identity standards and recommendations. (This was back in the days when you had to print everything and a PDF was not possible.) The “work in progress” standards were too cumbersome and the page length made it prohibitive to print. So I sat down and sifted through the content and prioritized everything to see how I could get the final manual down to 16 pages.

Once the Corporate Identity manual was published, life as the internal “logo cop” and defender-of-the-brand became easierbut not in the way that I had expected. I thought everyone would now follow the carefully worded rules and exacting details that we had labored over in writing and designing the manual. What I found was that most people didn’t actually read the document, they just called me with their questions and asked me what the rules were. So the manual became my reference guide, it kept me on track, consistent and more importantly it became the law of the land within the company. Once I had the manual in place I could call the Vice President of Pensions and say with confidence that the logo could not be published with that drop shadow against a dark colored background because it says so on page 4. And why would he listen to me? Because, on the first page of the Corporate Identity manual, there was a signed letter from the President introducing and endorsing the branding standards. That was the most important page in the book.


Revisiting the Best of the Best, Digitally Speaking

02.07.11

The One Club, an advertising association that recognizes and promotes excellence in advertising, has brought together the top 10 digital campaigns of the past decade. This is the first time the One Club is honoring a decade’s worth of digital ads, because there was not a full decade’s worth of online and interactive ads in the 90s. (The first year the One Club honored digital ads was 1996.) This is a great opportunity to see some past campaigns and learn about the marketing ideas behind them, including Burger King’s Subservient Chicken, Uniqlock by Uniqlo and Dream Kitchens by IKEA. Visit the One Club’s site to see the top 10 and all 75 of the semi-finalists.


Designing it right in 2011

01.05.11


John Irving’s quote inspired our theme for 2011. As a celebrated prolific novelist, he has certainly embraced the idea that books are not written, but rather re-written. We know that good designs are truly re-designed, and re-designed again and again.

In Peter Shaffer’s Amadeus, Mozart is told that his composition is beautiful but he needs to remove a few notes. “Too many notes!” says his patron. Mozart, unlike the rest of us, could produce a finished product right out of his head. To remove one note or change the space between the notes would destroy the perfect balance of the final musical composition. Most of us are not geniuses like Mozart. We have to refine, revise and do it over until it the design is just right.

We are more like Dickens. Have you ever seen a draft of the manuscript for A Christmas Carol? With its many scratched out sentences and re-worked language you can see how the master of Scrooge wrote and rewrote the story.

As we plan ahead for 2011 we envision a revision in how we see things. We look for ways to see a different light, perhaps leading to a better way or a way we’ve never seen before. Visual communication is a collaborative practice. And as they say, practice makes perfect. It is the combination of our clients’ knowledge with the expertise of the designers that creates the most successful communications projects. The clients know their markets, services and products. The designers excel in visual language, imagery, patterns, typography and the best techniques of online, in print and on site promotion. The back and forth revisions between clients and designers is a healthy way to develop the next great communications project. It is the combination of intelligence and inspiration that we seek for 2011. By doing it over and over, listening to each other and adjusting, adapting and refining the design and the content until it’s just right.

As Oprah Winfrey has said in approaching the last year of her talk show, “Cheers to a New Year and another chance for us to get it right.”